2025
“Floras”. Posters for beauty’s sake.

The series alludes to Hugo Simberg’s The Garden of Death, which depicts the medieval belief that souls dwell in a flowering garden before passing into paradise.

It reflects on the cycle of life — The Spark of Birth — Bloom — Withering — The Flowering Garden — Paradise — turning it into an exploration of beauty’s states: alive, yet finite.

The polyptych poses a question: what is the role of beauty—in function or in ornament? And immediately affirms beauty’s right to exist without utility or explanation

The series unfolds typography as a floral structure. An ornamental system of flowers and foliage becomes both form and language. The work is not only a sequence of blossoming typographic forms but also a meditation on beauty in the digital age. The visuals explore how transferring beauty into an artificial environment alters its nature: does any life remain, or is it only the shell that is left?

Can “digital beauty” ever die, or is it fated to exist in its eternal form?

The Flowering Garden
Paradise
The Spark of Birth
Bloom
Withering
— RATS IN THE BASEMENT —